Day # 12: My Pen and Ink Combo

Ink: Diamine Stargazer

Stargazer is a beautiful blue ink with shimmer and sheen.

There’s a lot of blue shimmering particles in my bottle.

When I saw the name on this bottle of ink, I knew I had to pair this ink with my Pilot Stargazer pen. As I was writing in my journal, I was in awe at the amount of sheen I was seeing. My handwriting appears to glow on the page.

Check out my swatch card! If you can get past the sheen, the ink leans towards a teal blue color.

It’s hard to describe this ink color by just looking at my handwriting sample. It looks like a dark blue ink with plenty of red sheen.

Where did all my shimmer go?

This ink creates a lovely bold wash on paper with red sheen around the edges.

Stargazer is a lovely dark blue ink. Depending on the lighting, it can lean towards a dark teal blue. This ink produces a wonderful bright red sheen with blue shimmers. Another color for my wish list.

Ink: Diamine Stargazer (shimmer & sheen)

Pens: Pilot Stargazer Black with Medium nib. Automatic pen.

Journal: GLP Creations with TRP (68gsm)

Paper: Grumbacher Mixed Media

Day #11: Let’s Party with Diamine!

Special note: I have to say Diamine has been capturing my heart with this calendar of beautiful inks. I enjoy playing with the colors and seeing each ink’s potential. It’s been an exciting journey and I have a chance to create some sketches along the way (more coming). Are we ready to party?

Inkvent Day #11: Diamine Party Time

Typically, I prefer for a pinky ink to have some sheen or shimmer. This one has some shimmer.

Party Time appears to have purplish particulates at the bottom of my bottle.

Check out this lovely and bright ink color! From my writing sample and swatch, the shimmers leans a bit towards blue. I matched this gorgeous ink with my lovely Pilot Prera with Calligraphy Medium (CM) nib. The CM nib helps my handwriting look a bit more festive.

Here’s a close up of my writing. The shimmers appear to be metallic blue. I really enjoy using my CM nib for writing.

My swatch shows the bright blue shimmery particulates along with a subtle copper-like sheen. I think I need to put on my sunglasses for this.

Here are some swatches to compare this ink color with. Now a few may wonder why would I add the Vinta Makopa swatch to this comparison. If you remove the intense sheen, it’s underlying color appears to be similar to Party Time.

Let’s take a look at Raspberry Rose from Day #8 and compare it to Party Time. Interesting when you put two colors together and see which color leans more towards red or pink or purple, etc.

This pink ink produces a lovely ink wash and the color appears to pop off the paper.

So far, I’ve seen several descriptions for this pinky ink color: rose, magenta, raspberry, and even rhubarb. From other pictures on social media, I’ve seen a light pink ink to a dusky pink color.

I would say this is a gorgeous “red-purple-pink” color with bright metallic blue shimmers and a bit of coppery sheen. After saying “Wow” several times (to myself) about this ink, I’m adding this to my wish list for a larger bottle. It’s a unique color for me and creates a wonderful ink wash for my artwork.

Ink: Diamine Party Time (shimmer)

Pens: Pilot Prera Pink with CM (calligraphy medium) nib. Automatic pen.

Journal: GLP Creations with TRP (68gsm)

Paper: Grumbacher Mixed Media

Just Three Pens for Now and Other Things

We are just a few days away from the month of December and I have something brewing in my studio. Well not literally brewing, but it’s something that is sitting inside a brown box and waiting for December 1st to arrive. I ordered this at the end of August and received it at the end of September. So for two whole months the excitement has been building up. That’s all I will say. For now. ūüėÉ

I’m also contemplating doing a sketch/drawing a day in December. We will see how that works out as I’ll need to allocate two hours a day depending on the art medium I use. Lots of ideas and very little time to do all of my favorite hobbies. Sigh!

I wanted to share my three currently inked pens: Leonardo, Pilot, and Visconti.

I would classify these three pens as the oldest pens I have in my collection. I purchased them when I first fell into this fountain pen rabbit-hole. I thought it would be a great time to bring them into my pen rotation. They are amazing and fine writing tools. They write beautifully on all types of paper I use including plain notebook paper.

I had three bottles of ink sitting on my desk and it was easy to figure out my matching pen and ink scheme. As I’m typing this post, I’m wondering if Pilot will ever come out with other pen colors in their 823 model. I could easily enjoy an olive green or a copper colored 823. That would be so cool!

Earlier this week I was dabbling with Urban Sketching. Mostly from photographs I’ve taken. It’s a different style of sketching for me and basically learning to look and sketch quickly. I’m learning to loosen up and not worry about the details or shapes too much.

I’m hoping to take this new sketching adventure outside and in the public areas. Since it’s around 40-something degrees outside, learning to sketch quickly would be most beneficial. Now that I’m thinking about it, sitting in a warm car and sketching sounds even better. ūü§£

Pens: Leonardo Momento Zero Pietra Marina (Fine). Pilot Custom 823 Amber (Fine). Visconti Vertigo Orange (Fine)

Inks: Van Dieman’s Ink Tamar Pinot Noir and Eucalyptus Regnans. Robert Oster Aussie Brown.

Paper: Rhodia

Day 2 at the Pen Show

Did this get your attention?

I was up early with Hubby and we went down to the hotel restaurant to have an early breakfast.

My gluten-free breakfast

After breakfast, I walked Hubby out to the garage as he was heading home for the day and then coming back the next day to check out the pen show and to take me out to dinner.

I had my ink journal with me and decided to head to the Ink Testing Tables to swatch some inks. Back in 2019, the ink tables were located in the small ballroom. This year, they had relocated the ink tables along the hallway outside the main ballroom. That was a brilliant idea! That meant the smaller ballroom had the custom pen turners and and fountain pen blank designers all in one room. How convenient!

Also, there was a lot more room in the main hallway to jump from table to table to test out the inks from different ink manufacturers. One of the reasons for getting up early is I had the ink tables to myself. Each table had a few nib holders, q-tips, small pieces of paper to swatch on, empty cups for used q-tips, dog bowls filled with pen flush, and cups filled with water.

I came prepared with my ink journal, regular pen, and my water brush. I have my own efficient process for swatching inks and I don’t enjoy spending the time to clean out the nibs in between ink colors. That’s why I bring a ballpoint pen to write out the ink names in my journal. Time is of the essence when at the Pen Show. Hahaha!

I made sure I to swatch the Pilot Iroshizuku inks. The small bottles are so cute!

Pilot Iroshizuku inks…look at all the beautiful colors!
Noodler’s inks
J Herbin inks

I knew I only had a small amount of time to myself at the tables and selectively picked certain brands to swatch from. I still had two more days (early mornings) to circle back and get the remaining colors swatched.

I checked my watch and knew I had to walk around, get my laps in and stop by a few tables before getting ready for my workshops. I immediately headed over to the Franklin-Christoph table. Scott’s tables are alway busy with fellow pen folks.

One of the busiest tables during the show

I inquired about a specific pen model and saw a pen that caught my eye. It did not have a clip, but I was told I could have one installed and they could mail the pen to me. I decided it was time to do a few laps and not make a commitment as I had other tables to visit. My gut instinct told me to move away from this table. Little did I know there was something else for me a few tables down.

Who could not resist the colorful pens at the F-C table!

I strolled along the back wall past BG Artforms, Bexley, Wahl-Eversharp, ASC, and Bittner’s tables.

A few months ago, I read about some lovely flex pens from Stylosuite. I saw some gorgeous writings with the lovely line variations as well as the interesting nib with the cut outs. Based on my personal experience, I knew some modern nibs could flex a bit with some amount of pressure like my Pilot 912 with FA nib. After writing a few lines, my hand would get tired and my writing would get sloppy.

I came across a tray of lovely pens. They were absolutely gorgeous to look at. I immediately recognized a few brands. Can you name the brands in the following picture?

I introduced myself to Les (owner of Stylosuite) and took a seat at his table. I answered a few questions about my writing style and pens I tend to favor. Les handed me an Opus 88 Omar with a JoWo nib that had fancy cutouts along the nib’s shoulders and sides and a cut that goes past the breather hole. The minute I put pen to paper, I realized I became one with this pen! Very little pressure and effort was needed to make this pen write with broad lines on the downstroke. I immediately had that “rhythm” and bounce in my handwriting.

Les laid down a few more pens in front of me that had different nib sizes (Fine and Medium) and also one with a cursive italic nib. I tried them all, but I still came back to the first pen I tried. That Omar had the Stylosuite Extra Fine Xwing Harpoon nib. It was an extremely smooth writing experience. Les complemented me on my writing. I told him it was the pen and his lovely nib in my hand that allowed me to write effortlessly across the paper.

All the nibs I tried at his table kept up with my fast writing. Les modifies the nibs and then tunes it with the particular pen that will house the nib unit. This is important to remember and I do not plan on swapping this nib unit around with my other pens. His Xwing Harpoon nib was perfect with this particular Omar. Oh and let’s not forget that the Opus 88 Omar has a “tank” that holds a lot of ink!

Not knowing how Les handles purchases and orders, I asked if I could buy this particular pen. When you become one with a pen, it’s the one that you have to take with you, right?

My Stylosuite Extra Fine Xwing Harpoon nib! Stunning & gorgeous!

A writing sample with this flex nib with very little pressure. Amazing!

I was done with my shopping for the day. Or so I thought. I still had to get ready and grab my bags and head down to my meeting room to setup for my workshop.

After my first (of three) workshop was finished, I immediately packed up my supplies and papers and dropped them off in my room. I still had to do a few laps around the main venue and to also check out the small pen turners and pen blank designers in the small ballroom.

I took a few more pictures and then stumbled upon another table. Turnt Pen Co. His trays of pens were shouting my name. I slowly scanned each pen in their trays and came across one that caught my eye.

I asked and Tim confirmed that his pen was made from a Primary Manipulation 4 blank by Jonathon Brooks. I needed to feel the whole pen in my hand and Tim was gracious enough to install a JoWo #6 Stub 1.1 nib unit and a converter into the pen. He wanted to dip the pen in some ink and I told him no need to do that. I can sense how good a pen will be by just holding it in my hand and going through the motions of writing on paper.

Then a very familiar sensation hit me! I became one with this pen! It’s a similar feeling as I had with the Stylosuite pen, but that pen will be used for my fancy handwriting. My Turnt pen was about the “whole package” for an EDW (everyday writer) including comfort, balance, and weight. Could I write with this pen for hours? Yes! This feeling almost reminded me of holding a Franklin-Christoph pen in my hand. It was that good! The writing experience was just lovely and it did not hurt that this particular Turnt pen was just absolutely stunning. I can’t believe I managed to get a PM4 pen that was on my wish list. The stars were definitely in alignment and I was meant to be at Turnt’s table. I was so thrilled to have met Tim. (Thank you Tim for a wonderful pen show experience and I enjoyed chatting with you!)

After my second purchase for the day, I had to wear “blinders” and walk by many more tables. I did see some fun Esterbrook patches with the lovely Aqua Fun! theme and the Esterbrook clip. Next thing I knew I was given a lovely Esterbrook tote bag, washi tape, and a plain white nautical hat to along with my purchase. When I was wearing the hat the next day, Hubby said I looked like I belonged on Gilligan’s Island! Yeah, I’m not sharing any pictures of me wearing the hat. Hahaha!

My Esterbrook accessories

I was so tired from the day’s activities that I ordered a meal to go from the lounge and spent some quiet time in my room. I ended up practicing my fancy handwriting with my Stylosuite pen and twirling my Turnt PM4 pen. Okay, not at the same time.

Here are additional pictures I forgot to add when I published this post.

More to come….

My Sketches – Using My Van Dieman’s Inks

Here’s a few quick sketches I did this week using my Van Dieman’s Ink.

Here is Sea Turtle. It’s a lovely vibrant green ink. I used a bit of Robert Oster Melon Tea to make my turtle sketch pop a bit.

On my swatch card there’s a ton of pinky-red sheen.

I used my Pilot Prera with Calligraphy Medium (CM) nib to create this sketch.

Another lovely color from their Underwater series is Royal Starfish. This is a unique purple ink color with pink and blue undertones (depending on paper used).

On Rhodia paper

Here is my feather sketch. The pink and blue undertones are absolutely gorgeous.

Here is a shimmering beauty called Parrot Fish. A vibrant teal green color with purple shimmering particles.

I enjoy seeing this ink slosh around in my TWSBI ECO.

I have to add while using this particular shimmering ink, I’ve had a few clogging issues with my ECO. I gave my bottle a couple of shakes to get the shimmering particles to blend with the ink. I immediately filled my pen with ink. That was part of my clogging problem. Too much shimmer in my pen. I should have waited 45 seconds to let the particles settle a bit in the bottle and then fill my pen. You can see from my writing sample I had a lot of shimmer across my journal page.

I ended up storing my pen overnight with it’s nib up. The next morning I still had a clog issue. I could see a clump of shimmer on my nib. I dipped the nib and feed into a jar of water and wiped the nib clean. I wrote out two pages with my pen to get the initial shimmer flowing. Now, my pen sits (horizontal) on my studio desk with no clogging issues. Life is very good!

I have three more Van Dieman’s inks to swatch and sketch with and hope to have some time this weekend to play with them. I’m enjoying this ink brand and it’s becoming a favorite of mine. Right up there with Diamine and Robert Oster.

Inks: Van Dieman’s Ink Underwater Series: Sea Turtle, Royal Starfish, and Parrot Fish (shimmer)

Pens: TWSBI GO with Stub 1.1 nib. Pilot Prera Transparent Pink with Calligraphy Medium (CM) nib. TWSBI ECO Clear with Stub 1.1 nib.

Papers/Journals: Rhodia. Canson Mixed Media. Stillman & Birn Beta. Stillman & Birn Alpha.

My Pilot Preras and Calligraphy Medium Nibs

Edit: I forgot to mention that the nibs and feed from my Pilot Metropolitan and Plumix fountain pens are swappable with my Pilot Preras. The nib and feed are friction fit. Pull out the nib/feed from one pen and push into another.

I have a thing for my Pilot Preras. Especially my pens that have the Calligraphy Medium or (CM) nibs. The (CM) nib writes like a medium nib, but with a stub-like feel. Instead of having smooth edges, the edges of the (CM) nib are crisp-like and can produce an italic style of writing with of course crisp edges. Because of the distinct crisp-like edges on the nib, there is a sweet-spot when writing with these nibs. If I turn my nib a bit while writing I can feel the edge of the nib grind a bit into the paper. It’s a reminder that I need to hold the pen with the nib flat against the paper.

My Pilot Preras are the colorful and transparent models. They are beautiful to look at and lovely to write with.

They are small in size, but when posted they are comfortable in my hand. I keep one or two Preras inked and they have a special place on my studio desk for jotting notes and for journaling.

In my pens, I use my empty Pilot ink cartridges instead of the converters. I find it’s easier to fill the cartridges and clean them. They also hold more ink than the included converters.

I recently filled all of my beauties with different brands of inks and used them to sketch with.

Here’s my writing sample showing the different ink brands I’m currently using:

The CM nib really enhances my handwriting and makes it look a bit more elegant.

These are fun pens to write and sketch with. The pens have a lovely snap cap feel that is smooth and solid when I remove and put the caps back onto the pens. When posted, the cap slides securely to the back of the pen.

The clip on the Preras are well made. My pens slide in and out of my pen cases without snagging or getting caught in the openings. I have a few other fountain pens where their clips enjoy holding on to the fabric as I try to pull them out of my pen case.

My Preras are noticeably smaller in size when compared to my favorite fountain pens. I actually don’t mind their compact size as I can easily slip my pen into a travel sized notebook or into a pen slot in my purse or backpack.

Pens: Pilot Prera Transparent colors (light blue, light green, black, pink, & orange) with Calligraphy Medium (CM) nibs.

Inks: Diamine Asa Blue and Amaranth. Monteverde Olivine. Private Reserve Copper Burst. Vinta Inks Damili.

Paper: Rhodia

An Automatic Pen, a Pilot Parallel Pen, and My Opus 88 Pen Hack

I’ve changed up how I do my fountain pen ink swatching by using a way cool tool called the automatic pen. I’ve mostly used it to swatch ink colors in my ink journal which I have posted a few pictures from my previous blog posts.

My automatic pen used to create my ink swatches in my Stalogy 365 ink journal

I saw someone use an automatic pen to create their swatches on their Col-o-ring cards and also in their fountain pen ink journal. I thought that was the neatest thing to use and had to try one out. The automatic pen puts down enough ink to see any sheening properties the ink might have (depending on paper). It has improved my swatching process as well as saved me from using q-tips to smear the ink on paper.

I like how the automatic pen holds the ink in it’s “nib” area (sandwiched between two metal plates) and how easily the nib can be cleaned. I dip the nib in some water, swish the water around, and dry off the nib. I know many folks use this type of pen for calligraphy and have to re-dip the nib when the ink runs out. That is a similar process for pointed pen calligraphy.

Side of the nib

The automatic pen reminds me of my Pilot Parallel pens. The only difference between the two, my Pilot pen can use a cartridge, converter, or be used as an eyedropper pen.

I use my Pilot Parallel for decorative writing (cards, small signage, etc) and for sketching. The nib on this pen uses a lot of ink. I could easily go through an ink cartridge within a few short hours of writing and sketching.

Close up of my Pilot Parallel pen with 1.5mm nib

Then I came across a “hack” for my Parallel pen. I could put my Pilot Parallel nib into my Opus 88 Omar fountain pen. What?! I immediately saw how beneficial this hack could be with using a larger ink capacity pen with a decorative writing nib. This combination would allow me to write and sketch longer than a few hours or even a day or two.

Pilot nib unit with a tiny o-ring

The Pilot nib and feed can be removed easily by pulling out the nib from the grip/section. On the Opus 88 Demonstrator, just unscrew the nib unit (nib/feed/collar) from the grip/section. There’s a tiny o-ring that also needs to be removed and saved with the Opus nib unit. Take the Pilot nib and feed unit and push it into the Opus grip/section until you can feel it click into place. That’s it!

My Opus hack!

I put my Opus nib unit along with it’s o-ring and store it in a zip lock bag for safe keeping

Here’s a writing sample from my hack:

Oooops! Correction “to”= “too”

Why do this hack?

  • Personally, my hand prefers a girthy pen and my fingers relax more while I write
  • The Pilot Parallel nibs lay down a lot of ink
  • Opus 88 pens have a huge ink capacity that allow for longer writing sessions

The Pilot Parallel nib and feed fits into the Opus 88 Omar demonstrator and the Opus 88 Koloro Demonstrator pen as long as they use the JoWo #6 nib unit.

Pens: Automatic Pen, Pilot Parallel 1.5 mm, and Opus 88 Omar Tainan

Ink: Pilot Iroshizuku Ku Jaku

Paper: Ayush Paper pad (fountain pen friendly)

Currently Inked

Here are my currently inked pens. I’ve been doing well in keeping my goal of having a handful of pens inked at one time. Sometimes a pen friend will ask a question and I’ll immediately ink up a pen to show the writing experience. So far, I’ve managed to keep variety of different ink colors available for my personal writing.

Here’s the list of ink colors:

The Rohrer & Klingner inks are fast becoming one of my favorite ink brands. Their ink colors are vibrant and stunning and they make beautiful ink washes.

Happy Wednesday!

Spring Cleaning and Spring Colors

I did not want to go a whole week without posting an entry on my blog. I’ve been busy with Spring cleaning in my studio and tackling other rooms in our house. I have also been creating several pieces of watercolor artwork that are taking some to finish as I need to let the paintings dry between the layers of paint I’ve applied.

I have also been enjoying the warmer weather in our area and getting into the change of season. I thought it would be a great time to start taking a few of my fountain pens out of rotation.

Earlier this week, I ended up cleaning about a dozen pens. Many of them I used for my pen and ink artwork. Most of my pens had a few drops of ink left in their barrels and I wanted to replace the darker colors with lighter and brighter colors. For now, the pens will remain empty as I’m focusing on my watercolor skills.

I needed a few pens to use for journaling and for setting up my BUJO (bullet journaling) for the month of April. Here are my three currently inked EDWs (everyday writers) that I could not wait to share. They happen to also be my three favorite fountain pen brands.

My Spring trio of pens (L-R): Platinum Century 3776, Franklin-Christoph #31, and Pilot Custom Heritage 92

It worked out that my Platinum and Pilot pens were a perfect match to go with my Candystone pen from Franklin-Christoph.

Cleaning out the old ink from Candystone

When I received Candystone a few weeks ago, I had filled it with Sydney Lavender. The previous picture shows the section with nib and feed sitting in a glass stuffed with paper towels. The colors in the paper towel confirms why this ink color is a perfect match with this pen. I went ahead and refilled my pen with the same color.

Pens/Inks:

  • Platinum Century 3776 Nice Lilas (Medium) filled with Robert Oster Red Lipstick
  • Franklin-Christoph #31 Candystone (Medium) filled with Robert Oster Sydney Lavender
  • Pilot Custom Heritage 92 Transparent Blue (Medium) filled with Robert Oster Tokyo Blue Denim

My Favorite Fountain Pen Carrying Case

I wanted to write about my favorite pen carrying case. I have tried several different brands and styles and they perform different functions for me. I actually classify my fountain pen cases into two different functions: pen storage and pen carrying.

Today, I will share my favorite pen carrying case. Quattro. Made by Lochby.

The front of my Lochby Quattro cases. Pilot Metropolitan in Turquoise Dots and Champagne Gold.

From Lochby’s site here’s their description: “The Quattro fits your favorite four pens for when you’re on the go. Lightly padded, fully zippered, and wrapped in our dry waxed canvas.”

I first purchased the black waxed canvas case as they were sold out of their popular brown version. Once I received the case in hand, I was immediately impressed with their product. The quality and workmanship and especially functionality. You already know. I’m all about product function. As a sewist, I always look at workmanship and how a product is sewn together. I was surprised at how thin this case was when zipped close. It’s not at all a chunky case.

On the outside, there are pockets galore. You can see from my first picture that I have my Pilot Metros in the narrow front pocket. In the flat pocket I have my Robert Oster Blotter Card which is similar in size to a business card.

On the backside of the case, there’s velcro pocket. Here I have inserted my tiny Rhodia booklet (3″x4.7″).

The back of my Lochby pen cases

There’s a nylon YKK zipper that zips around the case to hold my pens safely inside. You can see the double stitching and bar tacking. A rugged and sturdy case.

In the next two pictures, I show the interior of each case.

The black case has a beige interior. Notice I have the two pens stored upside down on the right clipped into the slot. That way the pens don’t fall out when I open the case.
The brown case has an orange interior

Why is this pen case a favorite of mine? I mentioned in a previous post that I prefer larger pens. This Lochby case can accommodate them.

The two pens on the right are a bit girthy and requires a wider slot for the pens to slip in. Lochby took care of this in their Quattro case. (Cross Peerless 125 in Titanium Gray, Esterbrook Estie OS Sparkle in Montana Sapphire, Montegrappa Elmo in Blue Cross Gentian, and TWSBI Diamond 580ALR in Prussian Blue)
My Opus 88 Omar (2nd from the left) is the largest pen I own. For awhile this pen sat on my desk because it would not fit in my other pen carrying cases. Now it has a home. (Pineider Avatar UR in Angel Skin, Opus 88 Omar in Clear, Platinum 3776 Century in Chartres Blue, and Visconti Breeze in Plum)

There are two negatives I have come across for the black case. My black version is prone to showing lint as you can see in the above pictures. Also, I wanted to let you know not to store any light colored pens on the external pockets. The black dye from the canvas can transfer onto the pen. It has not happened to me, but my blotter card is showing black around the edges.

I love my black Lochby Quattro so much that I added the brown case to my collection. Now I don’t have to worry about where to store my girthy pens.