Back to My Pen & Ink Sketch – Vintage Sewing Machine

It was back in February that I shared my work-in-progress sewing machine pen & ink sketch. I finished it a few weeks ago and I wanted to wait until I posted my three-part series on my sewing conservation adventures to finally post this completed sketch with my vintage machine.

I knew I needed space to capture my machine and I created my initial sketch across two pages in my art journal.

I sketched this over a few days in my studio. I used my artist creative license to capture what I wanted. I tried to sketch the basic shapes and I ended up sitting in front of my machine and seeing different angles each day. On paper, some areas appeared to be the correct perspective while other areas captured another. I decided to just go with it and this ended up being a unique sketch for me.

Since I was using my creative license, I decided to leave out a few details and just use a wash of color. I left out the details in the oval brass logo. I also left out the “Singer” brand name over the light housing.

To bring a bit more life to my sketch, I did add in the some bright golden ink to represent the decals around the sewing machine bed and to give a pop of color. My machine shows faded silver and gold decals and my creative license allowed me to show a brighter yellow swirls of color.

As I was creating the initial sketch, I forgot to center my machine across the two pages. To fill in the blank space on the right side of my page, I added a few spools of thread.

I enjoyed using Thunderstorm for the blue/black wash on the body and the bed of my machine. Instead of using a dull black ink color, the underlying inky colors of Thunderstorm added quite a bit of personality to my sketch.

Pens: TWSBI GO with Stub 1.1 nib. TWSBI Swipe with Stub 1.1 nib. Platinum Preppy with 02 Extra Fine nib.

Inks: Robert Oster Thunderstorm, Blood Rose, Steely Days, African Gold, and Melon Tea. Van Dieman’s Inks Morning Frost. DeAtramentis Document Grey.

Journal: Stillman & Birn Beta softcover A5 (5.5″x8.5″) 270gsm

Journal Cover: Lochby Field Journal A5 waxed canvas in Brown

Still Life: Singer Featherweight 221 vintage sewing machine (1938)

More Jinhao x159s…Please

Back in December of last year, I shared a blog post about my lovely Jinhao x159s. I started out with two of their basic pen colors that were readily available: a dark blue with gold trim and the basic black resin color with silver trim.

I mentioned at that time, I saw an Avocado green and a few other colors would be available at the beginning of this year.

Fast forward to now and here is a picture of my current Jinhao x159 family.

x159 colors: black, dark blue, avocado green, wine red, and dark green

The avocado green color is quite pretty. I’m also thinking about adding the orange pen color later this year.

My writing sample shows the top three written with a fine nib and the last one written with an extra fine nib.

My four x159s with fine nibs (blue, black, avocado, and red) have unique personalities. The are all smooth nibs, but I can see they write with different personalities. My Wine Red writes the finest (but still wet) and my Black pen writes the wettest.

I was curious about Jinhao’s extra fine nib and how well it would perform with my writing and sketching. I decided to add a Dark Green color with gold trim. When I received this pen, I could see remnants of blue ink that had dried on the feed. I was glad to see that Jinhao tested my EF nib before packaging and shipping. I gave my pen a good rinse and filled it with some lovely olive green ink called Oklahoma City.

The EF nib is smooth with a tiny bit of feedback. It writes like a dry fine nib. Just slightly narrower than my Wine Red fine nib pen.

I’ve been leaning towards the gold trim as it comes with the two tone gold and silver nib.

x159 (left) and X750 (right)

I wonder if Jinhao will produce additional colors. I could use a purple and a teal pen color to match my favorite ink colors.

Pens: Jinhao x159 in Black, Dark Blue, Avocado Green, and Wine Red with Fine nibs. Jinhao x159 in Dark Green with Extra Fine nib.

Inks: Robert Oster Blood Rose (shimmer) and Oklahoma City. Diamine Enchanted Ocean (shimmer). Van Dieman’s Ink Devil’s Kitchen.

A Finished Page from My Art Journal

I finally got around to finishing my floral page in my art journal. In my last blog post I had created a helleborus flower as that was the only blooming flower in our garden. A few days later, additional flowers were blooming including miniature daffodils.

I’ve been taking reference pictures for future use. I do this as time flies by quickly and when I’m ready to sketch again, the flowering blooms have long expired.

Luckily, both my helleborus and daffodils are still blooming around our gardens. This morning I stepped outside to look at our miniature daffodils before I sketched the remaining flowers in my art journal.

I like adding the hazy and blurry colors in the background of my sketches. It gives me the feeling that there are other flowers in the background without adding any details.

Pens: Platinum Preppy 02 Extra Fine nib. Jinhao x159 Wine Red with Fine nib. TWSBI GOs with Stub 1.1 nibs.

Inks: Robert Oster Heart of Gold (shimmer), Blood Rose (shimmer), and African Gold. Van Dieman’s Ink Anna’s Hummingbird Wing (shimmer), KWZ/Galen Leather Prairie Green (shimmer), and DeAtramentis Document Grey.

Journal: Stillman & Birn Alpha softcover 7.5″x7.5″

Sketching Progress

I took my pencil sketch and using my permanent gray ink, I sketched over my pencil lines that I wanted to keep. In some areas I straightened out the previous broken lines I had drawn. I also added in more details where needed. After my permanent ink had dried on my paper, I used my kneaded eraser to remove my pencil lines. Right now, my sketch looks flat and almost like a cartoon.

I left my inky sketch alone for a few days while I decided which colors to use for my inky washes.

I came back to my sketch armed with my TWSBI Swipe filled with Thunderstorm and started my pen & ink wash process. Thunderstorm has been my go to black/blue inky color for when I need to sketch something in black and also for creating shadows around and under my object. It’s a lovely color to use and it has quite a bit of personality as you can see in my sketch below.

I was careful to not inundate my sketch by dumping a lot of dark color onto my paper. It’s harder to “lift” dark colors let alone “lift” fountain pen ink off of my paper. With my first layer of color I applied a light or watered down color wash. To avoid creating a flat sketch, I made sure to leave some lighter color or the white of my paper as highlights. I am always looking for my light source. I let the first layer dry completely before attempting to apply the second layer of color.

When I apply my second layer of color, I can now focus on areas that are quite a bit darker. I think about the shadows within my object. Where are the darkest parts of my object. By applying the different values of a color, I can create a sense of “roundness” to my object. I can also make certain parts of my object appear closer to me like the numbered dial on my tension knob, the golden logo patch, or the horizontal light covering in the arm of my machine.

I used Morning Frost on the silvery pieces of my object like the throat plate, parts of the tension dial/discs, thread spindle, stitch regulator, bobbin winding system, and for the hand wheel/pulley.

While I’m creating my pen & ink wash, I have to remind myself to be a bit spontaneous and less controlling with my sketch. There are times when it’s harder to control where the ink color goes. I make the best of it and most of the time I create wonderful inky surprises.

I have also learned to know when to stop. Since I was using a mixed media paper versus a heavier watercolor paper, I noticed my second layer of inky wash was disturbing the paper’s surface. Small areas of my paper developed a “rash” while the paper was still wet. That was my clue to stop work in that area as the surface had been compromised. Once the paper is dry, the rashes miraculously disappear.

In case you’ve forgotten, this is where my pen & ink sketch started from. My quick pencil sketch.

Once I start sketching, I forget about properly centering my object on the page or in this case across two pages. To help remove the white space on the right side, I added the bobbin and two spools of thread. I intentionally left one of the spools half-off the page to balance out the left side where I ran out of space for the machine’s bed extension.

Pens: TWSBI GOs with Stub 1.1 nibs. TWSBI Swipe with Stub 1.1 nib. Platinum Preppy with 02 Extra Fine nib.

Inks: Robert Oster Thunderstorm, African Gold, Steely Days, Melon Tea, and Blood Rose. Van Dieman’s Ink Morning Frost. DeAtramentis Document Grey (Preppy).

Pencil: Pentel Energize mechanical with 0.7mm HB lead

Journal: Stillman & Birn Beta softcover A5 (5.5″x8.5″) 270gsm

Journal Cover: Lochby Field Journal A5 waxed canvas in Brown

Creating Sketches While Traveling

A couple of weeks ago, Hubby and I went on a trip. I made sure to set aside some time to figure out what art supplies I would pack and take with me for our adventure.

I thought about how I wanted to record this journey. Do I bring my watercolor paints and brushes? Or do I bring my fountain pens and inks? Or do I bring both?

I laid out my favorite supplies including my fave Maxpedition case and my new Rickshaw/Nock case. Based on my past traveling experiences I knew these would be the two cases to bring and it would be easy to figure out what supplies will fit in the cases.

After going back and forth between the two mediums, I knew I would not enjoy our trip if I could not decide what main art medium to use to capture our adventures. I decided it was best to bring my fountains pens and inks in my Maxpedition case. I used my Rickshaw case to carry just the essentials when I was out and about with my slender messenger bag.

I carried with me a slender A5 journal and wrote about our adventures each day. I was keeping a daily travel log. I found it was easier to write or jot down key points from our adventures as I sipped my coffee in the morning or while we sat in front of a fire pit enjoying the early evening weather.

I also included my A5 mixed media art journal for my pen & ink washes. Both journals fit inside my Lochby Field Journal.

Each day, I recorded objects and things that were easy to sketch. Sometimes I would have 5-15 minutes to quickly sketch something with my pencil or permanent pen.

In my two page spread (above), I created a variety of sketches from ideas in my head. Each object had Thunderstorm incorporated into the sketch which brought the sketches together or created a bit of harmony.

It was handy to have my Rickshaw case filled with my essential supplies as I was able to create quick sketches on the go. Yes, that meant I had to narrow down my choices to six inky colors to take with me.

Waterbrushes, Nahvalur Original Plus, Pilot Custom 823, Platinum Preppy (02), mechanical pencil, and TWSBI pens in my Rickshaw case

My Pilot Custom 823 was filled with Hailstorm. I used this ink for writing in my journals. It’s a dark green color that leans more towards blue.

For this trip, I decided to fill a Preppy with a permanent Grey ink color. I used this Preppy mostly for the outlines in my sketches. I do like using this lighter color for my outlines versus using the bold black Carbon ink color.

For my peach sketch, I did not have an orange ink color with me. I used Blood Rose and African Gold and blended/dabbed the colors a bit on my paper. Again, Thunderstorm makes another appearance in each of my sketching scenes.

Here’s an example of a quick sketch I created in my art journal. I had about ten minutes to sketch a few things and not enough time to add my fountain pen inky colors to all of my sketches. I find it’s okay to leave out the colors and add them back in for another day. I can also go back into my travel log and find other things to add to my sketch and add the colors when I have the time.

I know the pages in my art journal looks a bit bare and there are quite a few blank areas in between my sketches. They are my invisible placeholders for when I will go back and write a story about my adventures.

Pens: Pilot Custom 823 in Amber w/Fine nib. Nahvalur Original Plus in Melacara Purple w/Stub nib. Platinum Preppy (02) Extra Fine nib. TWSBI Swipe w/Stub nib. TWSBI GOs w/Stub nibs.

Inks: DeAtramentis Document Ink in Grey. Van Dieman’s Ink Hailstorm and Anna’s Hummingbird Wing (shimmer). Robert Oster Sydney Lavender, Steely Days, Melon Tea, African Gold, Blood Rose, Sydney Darling Harbour, and Thunderstorm.

Cases: Maxpedition Beefy Pocket Organizer in Olive Green. Rickshaw Nock Sinclair model R in Black/Aqua.

Other: Pentel Energize Mechanical Pencil with 0.7mm HB lead. Pentel Water Brushes with small and medium size tips.

Art Journal: Stillman & Birn softcover Alpha A5 (5.5″x8.5″)

New Shimmering Ink!

I ended 2022 with a last minute purchase of a new Van Dieman’s Ink that caught my eye. My new ink arrived in 2023, so it’s my first new inky color for this year.

This is a new series of inks called Birds of a Feather. The series is broken into six different birds: Anna’s Hummingbird, Blue Jay, Elegant Peacock, European Honey Bee Eater, Laughing Kookaburra, and Mandarin Duck.

The ink I selected is from Anna’s Hummingbird called Wing. The box has a colorful and gorgeous artwork that also appears on the bottle’s label.

This is a medium olive green ink color with lovely shading. At first it appears to have green shimmers.

I double checked the bottom of my bottle to see what the actual shimmering particles looked like. It definitely looked green to me.

I looked at my swatch from a slight angle, it looks like a bright green shimmer.

When I looked at my swatch from a side angle, I started to see another shimmering color appear. A lovely teal blue color.

I went back to my bottle and gave it a good shake. I tried to capture the shimmering colors I saw which could now be three colors depending on the lighting.

Once the shimmers started to settle inside the bottle, different layers of shimmering colors appeared. At the very bottom I could see some of the gold particles. In the middle was the green and towards the top is a tiny bit of teal blue.

The following shows my damp towel with some of the bluish grey underlying ink color and then blooming out into olive green and a bright chartreuse green around the outer areas. There is also a bright neon green color around the outer edge. I can honestly say this ink has a lot of personality.

As the my towel dried, the bluish grey color is more defined in the bloom.

So how does this VDI Wing compare to my other olive green inks? It’s very similar to Prairie Green, but a bit darker. Prairie Green has gold shimmers which gives this color a lighter appearance. Wing has several shimmering colors which gives the illusion the ink is darker.

This is another of my “trust my gut instinct” ink and I’m so happy to have this in my inky collection. Looking forward to sketching with this ink.

Ink: Van Dieman’s Ink Birds of a Feather series – Anna’s Hummingbird Wings (shimmers)

Tools used: Automatic Pen with 3A nib. River City Pen Company nib holder with JoWo #6 Fine nib.

Happy New Year! Updated: a Permanent Ink & a New Journal

A few years ago, I had purchased a few bottles of DeAtramentis Document ink colors and used them for writing in my journals. I never thought about using them for creating outlines for my sketches. Until today.

I started with a pencil sketch and then sketched over my pencil lines with my Preppy filled with DeAtramentis Document Grey ink. I’m happy to report this ink performed well with my inky washes.

This is a neutral-grey ink color which creates lighter colored lines that are not as harsh as the Carbon black color. The ink dried quickly and when I applied my color wash over the ink it performed the same way as my Carbon ink.

I came across a new-to-me watercolor journal from Hahnemuhle. This white and slightly textured paper is 100% alpha-cellulose and it handled my fountain pens and inks brilliantly. This paper allowed me to create some lovely washes of color. I used quite a bit of water in my sketch and from the backside there was no ghosting or bleed through. Also, I did not experience any buckling or wrinkling in the paper while I was applying my inky washes.

This small journal contains 30 sheets of paper which makes it a thin journal. I can easily slip this into my slim messenger bag.

I placed my TWSBI strategically where I was supposed to write something about my sketching adventure. Some days I have no idea what to write and I’ll wait til the next day to write something while I’m sipping on my coffee.

The following picture shows the size of my journal in comparison to my fountain pens.

This Hahnemuhle journal has a stiff textured cover and an elastic band to wrap around the cover when it’s closed.

I have to mention the cover feels a bit rough. It’s definitely not going to slip out of my hand.

I purchased this smaller size journal to keep in my messenger bag for when I’m out and about and have an opportunity to create quick sketches. This could also be used to document my adventures while traveling.

I’m looking forward to a new year with new sketching adventures and new sketching prompts to share. Wishing everyone a Happy New Year!

Permanent Ink: DeAtramentis Document Grey

Inks: Van Dieman’s Ink Morning Frost (shimmer). Robert Oster African Gold, Melon Tea, Sydney Lavender, Steely Days, Eucalyptus Leaf, Blood Rose (shimmer), and Thunderstorm.

Pens: TWSBI GOs with Stub 1.1 nibs. Platinum Preppy with 02 (EF) nib. Pilot Custom 823 Amber with Fine nib. Jinhao x159 Black with Fine nib.

Water Brush: Pentel Water Brush

Journal: Hahnemuhle Watercolor Book A6 (4.1″x5.8″) 200gsm, 30 sheets/60 pages

Day 25: The Last Day with My Swatches of Green Inks

We are at the end of our Diamine Inkvent Calendar. I want to say a huge thank you to T for providing me with her lovely swatches. Today’s Diamine ink is Best Wishes a shimmering and sheening ink. It appears to be a dark green ink with a massive amount of red sheen and green shimmers.

I pulled out my green swatches from my collection.

Enchanted Woods was the only green ink I had that contained green shimmers.

Upon further inspection, the shimmers looks more like a silver-green.

I narrowed down my choices to three ink colors that had no shimmers.

Black Ivy, which also has a massive amount of sheen, was from last year’s calendar. There’s a dark blue underlying color in Black Ivy which makes it lean a bit towards a teal blue color. Sea Turtle is a true green ink color with lovely red sheen. River of Fire is a green ink color that leans a bit towards blue as I can see some blue in the underlying color.

Yes. Best Wishes made it to my wish list.

Ink swatches: Diamine Red Inkvent Black Ivy. Diamine Golden Ivy (shimmer). Van Dieman’s Ink Sea Turtle and Enchanted Woods (shimmer). Taccia Midori. Robert Oster River of Fire and Peppermint.

Day 22: My Eggplant Purple Swatches

Today’s Diamine Inkvent color is Deck the Halls. It’s a stunning chameleon ink with rose gold and copper shimmers. As more folks are posting this lovely ink color on social media, I’m seeing a purple color leaning towards red. The first thought that popped into my head was eggplant.

T’s swatch shows a pretty display of rose and gold shimmers.

Since this is called a chameleon ink, I expected to see two different shimmers in this ink. I can definitely see some rose and gold shimmers from T’s bottle.

I mentioned in my last blog post how I enjoy a good medium to dark pink color. I also enjoy a good purple leaning red color. You can see from my selection, this purple is also one of my fave colors.

I enjoy having a good range of colors. Each one has a unique personality or two.

I tried to narrow down my selection.

Sunset has a pretty rose gold shimmer.

If I had to choose three colors from inky collection, it would be these three.

Sydney Lavender and Summer Purple are my favorite purple ink colors.

Here’s a pen & ink wash circle I created back in November showing off Sydney Lavender’s underlying colors. Gorgeous, huh?

Yes, I will be adding Deck the Halls to my wish list as I do not have an eggplant ink color with the rose, gold and coppery shimmering particles.

Ink swatches: Diamine Red Inkvent Harmony. Diamine Frosted Orchid (shimmer). Robert Oster Sydney Lavender, Velvet Crush, and Silver Dawn (shimmer). Kaweco Summer Purple. Montblanc Amethyst. Van Dieman’s Ink Black Tongue Spider Orchid and Beetroot Relish. Dominant Industry Sunset (shimmer).

Day 16: My Teal Swatches

Today’s Diamine Inkvent color is Serendipity. It’s a teal ink color with an intense red sheen and a rose-gold-copper shimmer. I can see from T’s writing sample, I can hardly see the blue ink color. It’s mostly the red sheen I see.

In T’s swatch there’s definitely a teal base color underneath all that gorgeous sheen.

Here’s my three swatches from my inky collection. Yuletide is from last year’s calendar. I’ve included two of my fave ink colors Devil’s Kitchen and Blue Velvet Storm.

All three inks have the similar red sheen.

I enjoy writing and sketching with teal ink colors. I will add Serendipity to my wish list. This color which includes the rose-gold-copper-like shimmers is unusual and would be a good additional to my ink collection.

Ink swatches: Diamine Red Inkvent Yuletide. Van Dieman’s Ink Devil’s Kitchen. Robert Oster Blue Velvet Storm.