Sometimes I just have to let go and see where my creative juices flow. Right now, it’s creating some artwork using my watercolor paints. I’m thankful for my sketching muscle memory and for having the ability to sketch quickly and spend more time painting.
It’s been a year since I last picked up my paint brush. My recent painting was from the previous post where I used my Sennelier paint set and created the teal pumpkin. That was my practice painting session to see if I could create something with my brush.
My watercolor mojo is back and I’m taking advantage of this wonderful creative moment by sketching more pumpkins. I remind myself to use less water and patiently build the layers of colors. Also, to sit back and let my painting breathe a bit and not overdo my artwork with too many layers.
For this painting, I used my favorite Daniel Smith Watercolor paints. I used a generic 24-pan set where I squeezed my tubes of paint into the pans. I wrote a post about this process and you can find it here. I also used my favorite brushes from Cheap Joe’s.
For the main body of my pumpkins, I decided not to mix any colors and just use the colors from my pans. I went with Quinacridone Coral, Quinacridone Sienna, and Pyrrol Scarlet. For the stems, I used Quinacridone Gold for the base layer. I created a browny mix using Ultramarine Blue and Raw Sienna and used it to darken the stems.
For the shadows under the pumpkins, I used the browny mix from the stems and added a bit more Ultramarine Blue. I also added a dab of paint color I used from the pumpkin’s base color.
I tried to remember all the watercolor tips and past painting skills I developed and I have to say it all came back quickly.
Just for fun, I used an inexpensive watercolor pad of paper that I found at Hobby Lobby. I liked the size of the paper and I thought I would give it a try. I was surprised at how well it handled the layers of water and paint I laid down.
Paints: Daniel Smith Extra Fine Watercolor Paints
Brushes: Cheap Joe’s Golden Fleece Synthetic Travel Brush in sizes 6 & 8
Paper: Master’s Touch Fine Art Studio Watercolor 140lb cold press paper in 6″x8″
After eight months of sketching non-stop with my fountain pens and inks, my creativity finally went missing. For the last two months, I was hoping it would come back. It has slowly. I try not to force it. There are some days when I feel as though I should be doing something creative, but all I do is stare at a blank page for a few minutes. Then I would close my art journal and carry on with my other daily activities.
My Graphite Sketch
When I get stuck in a creative rut, I always fall back to sketching with my favorite art medium using graphite pencils. I used my mechanical pencil to sketch out an outline. I used my 2.0mm clutch pencil to create the dark lines and shading. I used my blending tortillon to blend/smudge the graphite onto my paper and to soften the harsh lines.
My Pen & Ink Wash Sketch
A few days later, I created a pen & ink wash sketch of my pumpkin. I used my Copic Multiliner to sketch the outline and also added contour lines to create the darker areas of the pumpkin. I used two fountain pen ink colors Oklahoma City and Steely Days for the pumpkin. For the stem, I used Kansas City and Melon Tea. For the shadow area under the pumpkin, I used Oklahoma City and then dabbed a bit of Thunderstorm and used my water brush to blend out and away.
My Watercolor Sketch
I was toying with the idea of getting back into using my watercolor paints for my artwork. Why not, right? I pulled out my Sennelier watercolor set and enjoyed my time mixing my paint colors. I used mostly a wet on dry technique since the paper I was using could only take light washes. For the last layer, I used a damp brush with my teal paint mix and created a few contour strokes to enhance the shape of my pumpkin.
Challenge: Find a pumpkin to use in your sketches. Use a picture if you can’t find a real or fake pumpkin. Use your pencil to create a graphite sketch. Then use your fountain pens and ink to create the second pumpkin sketch. If you have another art medium available (watercolor, charcoal, pastel, etc) create a third sketch.
My Art Journals:
Leda Art Supply Medium-size (5.7″x8.25″) with graphite pencils.
hand●book journal co. 5.5″x5.5″ square with watercolor paints.
My Art Mediums:
Graphite – Pentel Energize Pencil with 0.7mm HB lead and Staedtler Clutch Pencil 925 35-20 with 2.0mm HB lead.
Fountain Pens & Inks – TWSBI GOs with Stub 1.1 nibs. Robert Oster Oklahoma City, Steely Days, Kansas City, Melon Tea, and Thunderstorm
Watercolor Mixes: Sennelier French Artists Watercolor Travel Set (12). Lemon Yellow and Sepia to create yellow ochre. Ultramarine Deep and Sepia to create dark brown. Forest Green and Ultramarine Deep to create teal green.
Watercolor Brushes: Escoda 1548 Versatil Series Artist Watercolor Travel size 4 & 6
I thought I would go back to the basics and work on pencil sketching with a simple mechanical pencil for this week’s prompt. Remember: no death grips, practice sketching quickly, and do not get caught up in the details.
Fruit Sketch and Drawing:
In my example on the left, I did a quick gesture sketch or outline of a pear. I used my mechanical pencil and a loose grip to create the light lines. My pear looks flat.
On the right side, is my final drawing. Here I’ve used contour lines to the give my pear a bit more depth. To create more depth or dark shading, my contour lines are close together. My contour lines follow the shape of the pear and shows the areas of roundness of the fruit. I leave quite a bit of white on my paper to show the highlights on the pear. I start out with light strokes from my pencil. The next layer is to go over the shadows again and adding a bit more pressure with my pencil.
Jar Sketch and Drawing:
On the left side of my picture, I used the same process of creating a quick sketch or outline of my jam jar.
On the right side is my final drawing. I added lines to show the glass has some decorative shapes. My label on the jar is curved a bit towards the ends of the label to help make the jar looked a bit more curved.
Notice I did not erase my unwanted lines. I keep my sketches/drawings “as is” so I know the next time what lines to leave out. It’s part of documenting my sketch journey and also building muscle memory.
Challenge: see if you can replicate my sketches. Practice sketching/drawing quickly. Also look around your kitchen and grab a few objects to sketch with. Practice contour lines.
Challenge +: do not erase your lines. Leave the good and unwanted lines in your pencil sketches and drawing. Move on to your next sketch.
Mechanical Pencil: Pentel Energize Pencil with 0.7mm HB lead
Journal: Canson Artist Series Mixed Media spiral bound
I set out to do an experiment with all the ballpoint, rollerball, and gel pens I found in and around my studio desk. What did I uncover? I immediately eliminated the SWAG pens I received from various trade shows I’ve attended over the years. Their inks dried up fast inside the pen and were deemed unusable. They were basically disposable plastic pens. You know what I’m referring to.
I had a few name brand pens in my possession. I created a sample page where I sketched with the pens and then apply my fountain pen inks over the initial sketch. I also created sample lines and then applied water over the lines to get a better idea of how the ink reacted with water.
My gel pens and rollerball pens basically smeared when I applied water to the lines.
I was surprised to see my Retro51 ballpoint ink react the way it did with water.
My Cross, Parker, and Lamy ballpoint pens handled the water a bit better.
Here’s my Lamy ballpoint pen collection which includes the Al Star in Green, Vista in Clear, and Al Star in Cosmic.
My Lamy writes smooth across the different art papers I use. So far, no skipping or fading. The Vista model has a thinner grip section than the Al-Star. I do like the clear body showing off my ink refill.
I keep my Lamy ballpoint pens in my art journal and in my art pen case. I can find my refills (M16) at most online pen shops. They come in Fine, Medium, and Broad tips.
My Lamy ballpoint pen is fast becoming my favorite cool tool for creating quick sketches with a fairly permanent ink. The pen colors they come in are really lovely.
Ballpoint Pens: Lamy Al Star in Green and Cosmic with Fine tip. Lamy Vista Clear with Fine tip.
A little over two years ago my friend “M” sent me a package. Inside was a gorgeous and ornate fountain pen.
My initial thoughts on this pen was how wet and how broad this fude nib was! At that time I was into Extra Fine and Fine nib fountain pens. As you can imagine I was thrilled, but also a bit curious about this nib.
I’ve inked and tried this pen a few times. Initially, I found the pen to be quite slender. I think this is the skinniest fountain pen I have in my collection.
The pen weighs about 35 grams. The cap and body appears to be made of brass with a black lacquer finish. It’s a snap-cap pen which I prefer to use for my artwork as I can quickly remove the cap and start sketching.
It took some time for me to really appreciate what a fude nib can do. I follow a few artists on their creative adventures and found they keep a fude nib pen in their art bag.
With renewed interest, I pulled out my Duke pen and filled it with Smokescreen. I was feeling a bit creative and wanted to use this fountain pen to sketch with. I left my pencils and permanent fine tip pens on my studio desk. I went outside with my sketchbook and my fude fountain pen filled with ink and started sketching.
It took me about 15 minutes to complete this piece. This turned out to be a loose sketch as the Smokescreen ink with the fude nib had no issues laying down color on my paper. I literally went with the flow in my sketch.
I’m enjoying the broad strokes this pen creates. The line thickness reminds me of my TWSBI stub nibs. This pen can also create fine lines when I hold the pen between 45 to 90 degrees over the paper. The line is even finer when I turn the nib upside down and write with it.
Here’s my writing sample and a look at the different line variations this pen can produce.
At around a 40 degree angle or less, the line width reminds me of a Stub 1.1 nib. At 45 degrees and higher, the line width gets narrower and close to a Fine nib. At a slightly less than 90 degree angle, the line reminds me of an Extra Fine nib. When I turn the nib upside down, it produces a consistent and slightly narrower Extra Fine line.
There is a learning curve to handling this pen. For me, I had to be cognizant of how I was holding the pen in my hand. For sketching, I found if I held the pen like a paint brush (around the top of the section) I could control the stroke sizes easier. The key here was holding the pen loosely. The other thing I had to think about is what angle the pen & nib was over the paper. Did I want to create a broad stroke or a fine line? After a few inky refills and some practice sessions, I finally became one with this pen.
Overall, this is a smooth nib to write and sketch with. It’s a sturdy nib and well made. The smooth grip area has a slightly textured feel that I hardly notice in my hand. It does keep my fingers from sliding down the section.
Now that I understand the Fude nib’s capabilities, I’m having a blast sketching and writing with this pen.
Thank you “M” for introducing me to this wonderful and gorgeous fountain pen. Sorry it took so long for me to really appreciate how well this pen sketches and writes.
Note: I have an inexpensive Sailor Fude nib pen arriving soon. I am looking forward to seeing how this light weight pen performs in my sketching adventures and how it compares to the Duke Fude pen. Stay tuned!
I’ve been struggling with watercolor painting. I was not getting the instant gratification like I would receive when I completed a pen & ink sketch. My watercolor creations were just mediocre and appeared lifeless. I felt as though I was in an endless loop of creating some paintings and then never completing them. I would also fall back to creating my artwork using my trusty fountain pens and inks.
Today I had an overwhelming desire to do a watercolor painting. Several things came into play with this desire. First, I had received the new Franklin-Christoph watercolor journals and could not wait to try this paper out. This new journal can be used with watercolors, guache, and pen and inks. I thought I would start out testing this paper with my watercolor paints and then do another test using my fountain pens and ink. A review will be forthcoming later this week.
Second, I had just completed a few pen & ink sketches of pumpkins and acorns and I wanted to see what I could do using my watercolor paints. That would require some color mixing techniques as well playing with different colors which I enjoy doing.
I spent less time thinking about the process (a good thing) and just started sketching with my pencil. Next thing I knew I was mixing paint colors and then applying paint to paper.
Somewhere along the layers of paint I was laying down, I experienced a huge epiphany in what I was doing. I used smaller round brushes like #6 and #4. I used less water in mixing and wetting my paper. My painting came to life.
Here’s a sneak peak from this morning’s session. I know it’s a partial shot of my painting. It’s still a work in progress.
At this point, I’m really happy about what I uncovered and I feel as though I can move forward in this creative adventure.
I had another realization this morning. I was mixing my watercolor paints and creating colors that I currently have in my TWSBI GO fountain pens. I am having too much fun!
I’m so happy to be busy with several projects. My mind is constantly on the go during the day and I’m sure it’s doing the same while I’m sleeping.
I’m taking a short break from my projects and enjoying some quiet time at my studio desk. I have several bottles of new inks to swatch and to try out for a few of my pen and ink wash artwork.
I was so excited about the ink colors and started swatching my inks quickly. I jammed up my ink swatching process. The ink swatches were so wet on the paper and I could not turn the page in my ink journal. I stopped what I was doing to let them dry. That’s when I decided it would be a great time to create this blog entry.
Oh my goodness! The Vinta Inks took my breath away! Besides my ink journal, my Col-o-ring cards are still drying as well. I’m enjoying the vibrant colors with some major sheen and shading. So far, they are producing some lovely ink washes on paper.
I was thinking of stopping my swatching process and fill a few pens with my lovely inks, but I will behave myself and continue on. Sigh!
A few things of interest:
I still have a few more flower pictures to post.
I’m still waiting to hear from Yafa about my Maiora cap replacement. Based on the tracking information, I know they received my defective and wrong size replacement cap 1-1/2 weeks ago. No news is good news, right?
I received an envelope with some lovely stationary from Robert Oster. A wonderful surprise and all the way from Australia!
I inked a few pens with some lovely Ink Institute inks. I created a few sketches and within an hour dumped the inks from my pens. The colors I selected are beautiful to look at. They were too light for me to use. This was a first for me to dump ink within an hour. Oh, maybe not. I did something similar with a few Ferris Wheel Press inks. So, there is a pattern here with me. Light and unsaturated inks are not my thing to write with or for sketching.
Looks like my inky swatch page has dried. Now to move on to the next brand of ink colors. I’ll be back!
That’s how I’ve been practicing my painting skills recently. Trying to paint without thinking about the details too much. No initial pencil sketching allowed. Just starting with blank sheets of watercolor paper.
The lovely purple paint is a mixture of Quinacridone Rose and Ultramarine Blue.
My first two attempts below were just okay. It allowed me to figure out a different painting style and to paint quickly.
Unfortunately, I only had a few minutes of pure painting enjoyment before I had to go tackle a few other projects that are not art related. More to come!
It was at the beginning of my watercolor adventure and my first class where I learned to use student-grade supplies and I developed some bad habits with using the cheap paints and cheap papers. I kept hearing buy what you can afford. At some point in my watercolor painting life I was miserable with what I created and could not get to the next level of seeing any improvements in what I was painting. My paintings were dull and lifeless.
I found a local artist who had a studio in town and she took me under her wings for a few weeks. I showed up for the first session and she told me to get rid of my student grade paints and papers and start using artist quality supplies. She mentioned there’s a huge difference in quality between student grade and artist grade. She let me use her tubes of Winsor & Newton Artist paint for my first lesson and I immediately saw a difference. A few weeks later my mentor saw a huge improvement in my paintings. This eye opening experience brought life back to my art adventure.
When I graduated to artist grade supplies, I had to re-learn or develop new habits with using better grade paints and papers. I went from paint fillers to pure translucent colors. In regards to paper, I went from cellulose paper to 100% cotton paper. It was definitely an eye opening experience and instead of frowning at what I created, it was pure joy to see beautiful colors pop on my cotton paper.
If I had learned to use artist grade supplies at the beginning, I would have immediately developed good habits right from the start.
I was thankful to have the basic small tubes of Winsor & Newton Artist colors and not go hog-crazy getting the rainbow of colors they manufactured. I learned to mix the basic colors of yellows, reds, and blues to create the secondary colors. For example yellow and red to create orange. Yellow and blue to create green. Red and blue to create purple.
I followed several watercolor artists on the Internet and noticed they were branching out into other watercolor paint manufacturers. One brand that peaked my interest was a US based manufacturer, Daniel Smith. I purchased a few small tubes of his paints and immediately fell in love with his pure bright colors.
A few years ago, I signed up for a refresher watercolor class at my local art center. I was glad to see the instructor’s art supply list included Daniel Smith paints and I was happy to try out new colors. I had a lot of fun in that class and enjoyed learning new tips and painting styles. It showed in my final paintings I produced.
Over the last few months I saw Daniel Smith had a watercolor “dot sheet” that contained almost all of the Daniel Smith watercolor paints available. The sheet is arranged by colors and the one I purchased had 4 sheets covering a total of 238 color dots. That’s a lot of colors from one manufacturer! Scroll through the following pictures to see the 8.5″x11″ sheets of colors:
I spent some time playing with the dots. I took my #6 round paint brush and applied some water to each dot. I painted out each dot in rectangle blocks of color. Most of the colors immediately reacted with the water and it was easy to pull the colors out. A few were so dry that it took some time to get the paint to react to the water and move it around the paper.
For the last 10 years, I have accumulated over 40+tubes of Daniel Smith watercolor paints in my collection. As I mentioned before, I used to mix the basic colors to get my secondary and some tertiary colors. Some colors like turquoise and teal take more effort to create. It made more sense for me to purchase a tube of the exact color I needed.
Did I mention DS makes shimmering paint colors? They are actually called Duochrome and Iridescent colors. Here’s a few close up pictures:
I have my shimmering fountain pen inks to thank for getting me into the sparkling watercolor paints. I never thought I would end up with tubes of shimmering beauties. Oh my! Daniel Smith is doing a great job with their paint offerings.
My paint bin is full of paint tubes. I had to create an inventory (spreadsheet) of my watercolor paint collection. Out of the 40+ tubes in my possession, only 5 colors were duplicates. Not too bad as they are the colors I enjoy using the most.
I plan on getting back into creating some watercolor pieces of art. I just need to carve out a few hours a day and just do it!
Before I sign up for a class (online or in person instructions), I look for the instructor’s supply list to see which brands of paint they use or like to use. It’s not uncommon to see good instructors use a combination of brands like Daniel Smith or Winsor & Newton Professional. Artists/instructors will have favorites they like to use. That’s part of my art adventure and enjoying new colors I have not tried.
You may have heard the saying “a tiny bit goes a long way”. It definitely does with Daniel Smith or Winsor & Newton Professional paints. Artist grade or professional paints are made from pure pigments of color. Student grade paints are made with a small amount of pigment and lots of fillers and that explains why I used up so many tubes of the student grade paints. Student grade can also be opaque and not as vibrant in color.
Dot Cards are a good investment. Both Daniel Smith and Winsor & Newton have dot cards. As you can see from the previous pictures, the cards contain the actual paint dropped onto a card along with the name of the paint, lightfastness, staining/nonstaining, granulation, and transparency. The color dot can be activated with a damp brush. Remember I mentioned about a tiny bit goes a long way? This card makes swatching so easy. You can see what the colors look like and the consistency before committing to a tube of paint.
Winsor & Newton has two lines of watercolor paints. One is their “Professional” artist grade paints. The other is their “Cotman” name which is their student grade paint.
I have not discussed watercolor paint brushes. For me, it’s a personal choice. I’ve accumulated several different brands that I’ve tried over the years. I still have a few of my student-type brushes that have served me well. I did try out a few real sable hair and squirrel brushes that I still have and use occasionally. I now prefer to use synthetic brushes. I enjoy the synthetic sable brushes for the lovely points they keep and the synthetic squirrel for the amount of water and color the brush can carry.
My Favorite Watercolor Supplies
Paints: Daniel Smith Extra Fine Watercolors
Paper (140lb/300gsm and 100% cotton): Arches Cold Press, Strathmore Series 500 Premium Cold Press, and Bee Paper Rag Cold Press
Brushes: Cheap Joe’s Golden Fleece, Escoda Versatil, Robert Simmons, and Princeton
Travel Palette: Art Toolkit by Expeditionary Art
Mixing Palette: Small 3″-4″ round porcelain dishes (Tuesday Morning or Home Goods)
It snowed yesterday and we had sleet and rain overnight. This morning when I woke up it was a chilly 28 degrees. Our neighborhood roads were “crunchy” as I could hear our neighbors driving out. You know it’s bad when Hubby could not open the doors on his truck.
Yes. I’m having a late start this morning. Or I should say early afternoon right now.
I spent a few minutes this morning with my dip pen and Nikko G nib. Practicing my calligraphy or my style of writing. The last time I had a practice session was four (4) months ago. Needless to say, I was a bit rusty. This morning. I just went with the flow.
Here’s my writing sample from this morning:
It was a quick practice session lasting about 15 minutes. I have to say it’s like riding a bike. My muscle memory was a bit rusty and my hand was a bit tired towards the 10 minute mark. Looking at the previous picture, I can see I have to work on spacing and writing straight.
Here’s a slide showing my previous writing session four months ago and the current writing sample:
I used the same dip pen and nib in both writing samples. You will notice that I used fountain pen ink. My practice sessions are more enjoyable when I’m writing with colored inks. Yes, I was bored with the black Sumi ink I used when I first started into this Calligraphy rabbit hole. For me, this is a great way to use up my bottles of ink.
I pour the ink into glass or plastic jars with wide mouths. I will then use these jars for dipping my nibs into the ink. That way I’m not contaminating the original bottles of ink.
I keep mentioning jars with wide mouths. That’s because the dip pens I use are obliques. They have a brass angular nib holder:
There are times where I can’t my nib into the ink. I will tilt my jar a bit just enough to get the ink to cover the nib and the breather hole.
Here’s a few of my dip pens that I use:
I originally started with a straight pen holder (white grip) like the one you see in the middle of the previous picture. After a few rough starts with calligraphy, I started to use the oblique holders. I found it was easier to control the pen. There’s also a slight spring or bounce when writing with an oblique. That has helped with my “rhythm” as I write.
I have tried out several different nibs. I’m still poking my paper with the finer and fancier nibs and hope to graduate to these nibs later. For now, it’s the “G” nibs.
I started out with the Zebra Gs and found the nib did not hold a lot of ink. I was constantly dipping. Constantly stopping during my practice session. I did some research and found out there were two other popular “G” nibs available that hold more ink: Nikko G and Tachikawa G.
If you look in the previous picture, you will see the top two nibs (Nikko & Tachikawa) have ridges along the tip of the nib. The Zebra G at bottom is smooth at the tip. The ridges hold more ink on the nib.
For my practice sessions, I use my Rhodia Reverse Book. The paper in this book has a dot grid format. I found that regular grid lines in the other Rhodia pads were distracting to me. The “Reverse” in this book means I can use this book with the spiral on the side or rotate the book to use with the spiral on the top. I enjoy using this with the spiral on the top where it doesn’t interfere while I’m writing.
To keep track of my dip pens and nibs, I store them in a Sterlite plastic case. As you can see I can store a lot of pens in this case.
I know I covered a lot of areas and did not go into great detail. That will be for future posts. Just wanted to give you the basics and things to think about for your own use or further research.
The “G” nibs are wonderful nibs for those who want to start learning Calligraphy.
Not limited to black ink. Colored inks are wonderful to use and brighten up writing samples.
I limit my practice session to 10-15 minutes in the morning and if I have time another 10-15 minute session in the afternoon. I personally have found that at the 10 minute mark, my hand will get tired as well as my fingers from holding the dip pen. My writing will also get sloppy. The shorter practice sessions are easier to carve out during a busy day. I like doing this first thing in the morning (after coffee) as the best time for me. I am alert and ready to start my day.
Practice lower case first. Develop muscle memory in forming each letter. Later learn to join the letters to create words.
Practice the alphabet. Practice writing favorite quotes, songs, etc.
I still have a ways to go. The important thing for me is to enjoy my practice sessions and my writing adventures.