Daniel Smith Watercolor – SusieG Studio

Merry Christmas! Updates: Sketching in Two Different Mediums and a Prompt

Edited 12/26/22: I had to pull this post early this morning and work on adding additional pictures, better details of my sketching process and do some major edits to what I originally posted. I was one tired puppy when I pushed the original blog post last night. My apologies. Here’s my updated post.

For the past two weeks I was busy with my watercolor paints and fountain pens & inks. When I had a rare “down time” moment, I made sure to spend it on sketching. Mostly, it was Christmas related sketches.

Watercolor: Holly & Berry

I created a quick holly & berry sketch.

I ended up using my porcelain palette so I could make batches of color ahead of time and not worry about running out of color while in the middle of painting.

My approach to this painting was to paint a section of my sketch one at a time and to allow each layer of color to dry completely.

The technique I used was wet-on-wet.

I painted one side of the leaf.

I then moved on to the other leaves and painted the left side.

Before I can paint the remaining sides of my leaves, I used a quick test to check by using the back of my clean hand and touch the areas I painted. If it’s cool to the touch, the paint is still damp. If it’s warm to the touch, the paint has dried.

When the first leaf had dried, I added paint to the right side.

I continued to paint the remaining sections of the leaves.

I waited for my leaves to completely dry before I moved on to my berries.

I painted one berry at a time and waited for each berry to dry before I painted the next one.

I forgot to show my test strip I created. This allowed me to see how the colors would “get along” with each other.

Here’s my final watercolor painting with the shadows. I used a blend of Neutral Tint and the associated paint color of the object. Under the leaves there’s a hint of green with the Neutral Tint color.

Pen & Ink Wash: Holly & Berry

After I finished my watercolor painting, I went ahead and filled a bunch of my TWSBI GOs with several different ink colors. I was anxious to sketch something with my pens. A light bulb went off in my head and I thought I would create another holly and berry sketch using my GOs with fountain pen inks.

I quickly pencil sketched another holly and berry on my watercolor paper. Instead of working on the leaves first, I decided to start with the berries.

Since my fountain pen inks dried fairly quickly, it allowed me to fill in the colors quickly and move on to different areas of my sketch.

I wasn’t paying too much attention to my uncapping of my pens, until I saw an inky spot or two that appeared on my paper.

For the leaves I used a lighter green color (Oklahoma City) for the edges and for the dark areas of the leaves (shadows).

Once the leaves were completely dried, I used a medium green (Eucalyptus Leaf) to add more color to the leaves and darkened the shadows a bit more. I left some highlights here and there in the leaves to show some bending. They no longer look flat like in the previous pictures.

For the berries, I used Blood Rose and added layers of color to the darker areas. I made sure to keep the highlights white by not adding color. The last layer of color was added along the back side edges of the berries.

Prompt

Sketch some berries and holly leaves. Feel free to use different color inks. Try reversing the colors and use green for the berries and red for the leaves. Think outside the box in regards to colors.

Summary/Comments/Tips

Unlike my watercolor sketches taking days to complete, my pen & ink sketch takes less than an hour to complete.

I’m glad I took a break from my pen & ink sketches to spend more time with my watercolor paints and brushes. I found I was a bit rusty and had to remind myself to be patient and let my paintings dry. Also, I had to relearn a few techniques like using less water to get a milk or creamy mix of color versus a watery tea mix.

Use the back of your clean hand to see if the paper is dry or not. A cool touch means the paper is still damp. A warm touch means the paper is dry.

I hope everyone is staying warm today and enjoying their time with friends and family.

Paper: Bee Watercolor (100% cotton)

Palette: Porcelain Flower with 7-wells 4-5/8″ x 4-5/8″ x 1/2″

Paints: Daniel Smith Extra Fine Watercolor in Sap Green, Cascade Green, Perylene Green, Quinacridone Rose, Quinacridone Magenta, Perylene Violet, and Neutral Tint

Inks: Robert Oster Blood Rose (shimmer), Oklahoma City, and Eucalyptus Leaf

Pens: TWSBI Go with Stub 1.1 nib. Jinhao x159 in Black with Fine nib.

Day 14: My Dark Golden Yellows

Today’s Diamine calendar color is Three Kings which is a standard golden yellow ink color. There appears to be a dark sheen on T’s swatch card.

Here’s my selection for today. Brandy Snap and Candle Light are from last year’s calendar.

I also included two swatches from Robert Oster to round out the range of underlying colors I was seeing from other swatches on social media.

I’ve narrowed it down to two swatches Brandy Snap and African Gold. My darker golden yellows. I see a combination of these two colors in Three Kings.

African Gold is another fave color of mine especially for sketching.

Three Kings reminds me of a dark golden mustard color. Just for fun I’ve included my Daniel Smith watercolor swatch Quinacridone Gold.

Ink swatches: Diamine Red Inkvent Brandy Snap and Candle Light. Robert Oster African Gold and Honey Bee.

Watercolor swatch: Daniel Smith Extra Fine Watercolor Quinacridone Gold

Day 7: My Lovely Green Swatches

Note: Yesterday, was a busy day for me and I forgot to publish my post. Today, I’m catching up.

Today’s Diamine color is Alpine. Alpine is beautiful green color with lovely silver shimmers.

I enjoy using a good green color and this one I would not hesitate to add to my wish list.

Here is T’s swatch for today.

There’s lots of silvery shimmer in this ink.

It did not take me too long to come up my matching inky swatches.

It was hard to choose just three swatches for the closest match, but I managed. Vert Atlantide (gold and silver shimmers), Sydney Darling Harbour, and Oklahoma City are my favorite green ink color for writing and sketching.

Just for fun I pulled out three swatches from my collection of watercolor paints.

How would I describe Alpine? It’s appears to be a mossy/sage green color with a bright teal blue underlying inky color and lots of silver shimmers.

NOTE: Since I included Enchanted Woods in my comparison, I wanted to provide a warning that Van Dieman’s had changed/reformulated most of their inks. I have a blog post about this ink color. Click on this Enchanted Woods link. Here’s a picture from my post.

Ink swatches: Jacques Herbin Vert Atlantide. Robert Oster Sydney Darling Harbour and Oklahoma City. Van Dieman’s Ink Hail Storm and Enchanted Woods.

Watercolor swatches: Daniel Smith Cascade Green, Jadeite Genuine, and Perylene Green.

Another Two Sketches: Two Different Mediums

This morning I was in the mood to sketch a scene. When I get into these moods I “just do it” and see what happens.

I’m still learning to paint loosely so I can create something in less than 30 minutes. That way I can feel like I’ve accomplished something in a small amount of time.

I created this painting without doing an initial pencil sketch and without looking at a picture. I took my paint brush and dipped it into my paint pans and painted away on my paper. It felt a bit “freeing” to paint like this. It only took me less than 10 minutes to complete. I could get used to this way of painting.

For this first painting exercise, I used my granulating paints from Daniel Smith and Schmincke.

I then decided to sketch out another beach scene and this time I used my fountain pens and inks.

I have to include this picture of my work in progress. I used blue painter’s tape to tape off an outline or window for my scenes. I ran out of tape for my pen & ink sketch and had to borrow a piece from my watercolor sketch. No time to look for tape. Have to keep going.

For my pen & ink sketch, I used a similar process by not creating the initial pencil sketch. I used my fountain pens and water brush and quickly completed my second beach scene.

I’m finding that it takes a bit more thought when I create my pen and ink wash artwork. Once I commit my ink to paper, that’s where the ink will stay. I can move some amount of color with my water brush, but basically some variation of the color stays where I’ve initially placed the nib to paper. That’s why I feel as though my sky is looking a bit strange. I got carried away and also forgot that I was working with ink.

Unlike inks, it’s easier to manipulate watercolor paints as I can blot/lift to lighten the color before it dries.

I forgot to mention that I’m using a watercolor journal from Canson for my test sketches. My beach scene sketches are on the backside of the first page. I wanted to see if the backside of this watercolor paper could be used.

Tip: Adding a color legend to my sketches. A few weeks from now, I won’t remember the colors I used.

Watercolor: Schmincke Galaxy Blue and Galaxy Brown. Daniel Smith Primatek Sleeping Beauty Turquoise Genuine, Jadeite Genuine, Fuchsite Genuine, and Bronzite Genuine.

Fountain Pen Inks: Robert Oster Steely Days, Kansas City, and Oklahoma City. Diamine Shimmering Enchanted Ocean. Van Dieman’s Ink Devil’s Kitchen.

Fountain Pens: TWSBI GOs with Stub 1.1 nibs.

Brushes: Pentel Water Brush

Paint Pans: Art Toolkit standard stainless steel pans

Journal: Canson Artist Series Watercolor Cold Press 140lb/300g (5.5″x8.5″) 20 sheets

Circles: Two Mediums, a Prompt, and Some Tips

I had a “circles” template I found in my art supply stash. I came up with a brilliant idea to create a two page spread of circles in various sizes. Before going crazy and adding my colors, I decided to split my two page spread into the left side for watercolors and the right side for my fountain pen inks.

I did go crazy and selected random colors to fill my circles. I was having too much fun!

Fountain Pen Inks

Here’s the right side of my page with just the fountain pen inks I used.

In some circles I took my fountain pen and drew an outline. I took my water brush and touched the breather hole of my fountain pen to draw out a bit of color. I painted inside my circle and also touched the outline to pulled the color into my circle. I tried to leave a bit of white or light color areas to represent the highlight of my circle. I also cleaned my water brush (wiping on clean towel) and gently brushed out the color where I wanted my highlight to be. A clean q-tip could be used to dab out the slightly wet color.

Sydney Lavender is my go to purple ink color. This ink’s personality really shows off its underlying inky colors when water reacts to the ink.

In the following circle, I created an outline for 2/3 of the circle or the edge that’s away from the highlight. This is another beautiful ink with lots of personality. Another favorite of mine called Steely Days.

This lovely green ink, Oklahoma City, is a wonderful surprise and appears to be bright and earthy at the same time. Another top favorite.

This pink color had been on my wishlist for sometime, but I always passed it up for other vibrant inky colors. I was so happy to receive this gift from a very special inky friend. It’s a lovely muted pink color with a tiny bit of blue. It appears to lean a bit towards a rosy purple color. It’s gorgeous!

Here’s my favorite shimmering pink ink color, Blood Rose. My painted circle came out bright and lovely. I’ve always enjoyed how this ink reacts to water. It’s a beautiful color to use for floral pen & ink sketches.

Watercolors

This left side of my page represents three (3) different brands of watercolor paints I used: Daniel Smith, Schmincke, and Sennelier. This was more or less a “test” page for me as I wanted to show off the different characteristics of certain lines of paints.

The Schmincke colors are represented by the “Galaxy” name. These are super granulating paint colors. Unfortunately, my paper did not have enough texture to show off what I call underlying colors or mixes for each Galaxy color. It does show off the granulation of the main color.

I used a few of my Daniel Smith PrimaTek colors which is represented with the “Genuine” in the name. I absolutely enjoy using these special granulating paints made from natural minerals and pigments. Jadeite Genuine is a gorgeous color. It’s made from the mineral called jade. Its fountain pen inky cousin would be Oklahoma City.

My Sennelier paint colors (lower half of the page) are a bit more vibrant and transparent in color based on the pan set I have. I found my Sennelier paint pans were the easiest to rewet.

Prompt: Create your shapes (circles, ellipses, squares) and practice coloring in your shapes with your fountain pen inks. Remember to leave the lightest areas for your highlights. See if you can create your colored shapes in two layers of color or less. Remember to let each layer dry before adding more color.

Tip #1: You might see a “bloom” appear inside of your shape. This happens when you add too much water/color to an area that is damp or nearly dry. The water/color has no where to go, but “bloom” out. Let the bloom dry. You can always add another layer of color on top of the bloom. If you are not sure what a “bloom” looks like, take a look at my French Vermilion circle in my previous picture.

Tip #2: When a water brush is filled with water, the brush tip will remain wet all the time. I no longer squeeze my water brush. Squeezing a water brush will force additional water onto the tip of the brush. It also requires frequent refilling of water.

I keep a small jar of water on my studio desk. If I need more water on my brush tip, I will put my brush tip into my water jar. I can also quickly clean my brush tip by dipping it into some water.

Tip #3: Keep a clean towel (paper, shop towel, Viva cloth) nearby. I use mine to wipe my brush tip clean or remove excess water.

Fountain Pen Inks: Robert Oster Sydney Lavender, Napa, Blood Rose, Steely Days, Aussie Gold, Oklahoma City, Cherry Blossom, and Sepia Nights. Colorverse Mariner 4 and Hayabusa. Van Dieman’s Ink Morning Frost and Enchanted Woods.

Watercolor Paints: Daniel Smith Perylene Green, Cascade Green, Lemon Yellow, Quinacridone Sienna, Rhondonite Genuine, Jadeite Genuine, Mayan Blue Genuine. Schmincke Super Granulating in Galaxy Blue, Galaxy Pink, Galaxy Violet, and Galaxy Brown. Sennelier Carmine, French Vermilion, Phthalo Green Light, Phthalo Blue, Dioxazine Purple, and Forest Green.

Journal: Stillman & Birn Beta A5 Softbound

Creating My Own Watercolor Swatch Cards

A few weeks ago I had re-swatched all of my bottles of Robert Oster Signature fountain pen inks. An idea came to me that I should do something similar with all of my tubes of Daniel Smith watercolor paints.

I looked around on the Internet and could not find a decent swatch card system to use. I tried using my Col-o-ring cards, but the paper was a bit too thin to handle the amount of water and paint I use. Being the creative person that I am, I did come up with a brilliant solution.

I remembered I had a few Canson journals left over from my pen & ink workshops and I knew the paper in that journal could handle a decent amount of water and paint. I grabbed my paper trimmer and my corner cutter and I was ready to do some paper cutting.

Since I was familiar with the 2″x4″ Col-o-ring size card, I thought that would be a good size to start with. After doing my initial watercolor swatch tests, I decided the card was a bit too wide. I did another swatch card test and found a 1.5″x4″ size card was perfect for my watercolor swatching needs and I had enough room to write down important color information. This smaller size also allowed me to cut a few more pieces from a single sheet of paper.

I used my Arteza water brush to paint out the colors on my swatch cards. I used my Platinum Preppy filled with Carbon ink to write out the paint color information.

Here’s a picture of my corner cutter. There are three slots (small, medium, & large) for three different size corners. The illustration on top of the gray hand press shows what the corners would look like for each size.

For my swatch cards, I decided to use the (S)mall corner cutter setting to give my cards a smaller or narrow curved corner.

The mixed media paper handled my watercolor mixture well. The paper does buckle slightly when wet. After the paper dries, it straightens out on its own.

Since I was in a paper cutting mood, I went ahead and created my own Col-o-ring-like swatch cards for my fountain pen inks. Good thing I keep several pads of mixed media and drawing paper in my art paper stash.

In the following picture, I used the “L” or large corner cutter. I placed the corner of my paper into the slot and pressed down on the gray handle to cut out a curved corner.

Can you tell from the picture below, which card was the one I created?

I created the card on the right. The one on the left is from Col-o-ring.

My Swatch Card Tools

Journal: Canson Artist Series Mixed Media spiral bound (5.5″x8.5″)

Paper Trimmer: Fiskars Surecut Portable Paper Trimmer

Corner Cutter: Sunstar Kadomaru Pro, Corner Cutter (S4765036) S-M-L

Single hole punch

Small loose leaf binder ring

Updated Sushi Watercolor Sketch

A little over a week ago I had posted a sushi watercolor I sketch I started with my smaller watercolor palette.

Here’s my final painting. I used ultramarine blue for the rice sketch. For the shadows, I used a mixture of Ultramarine Blue and Burnt Sienna and blended out with just Ultramarine Blue. For the tuna I used Quinacridone Rose and for the salmon I used a mix of Quinacridone Sienna and Nickel Azo Yellow. For the avocado and the wasabi I used a mix of Sap Green and Nickel Azo Yellow. For the ginger I used a mix of Nickelt Azo Yellow and Burnt Sienna.

For the chopsticks, I used Neutral Tint and then added Pearlescent White to give the sticks some sparkling highlights.

I enjoyed using my Arteza water brush to mix and apply the paint. I used a small jar of water to dip my water brush into and quickly remove any remnants of paint. It was also helpful to grab some water out of the jar instead of squeezing water out of the brush and eventually refilling my brush at the sink.

Using my water brush allowed me to paint bold sweeping colors onto my paper and apply less layers.

You’ll notice my in my journal the dried glue is exposed where my page split. This happens occasionally in my journals as a result of the signatures being being glued together. I have found this one particular nuisance in my current journal. In my other journals it’s not as noticeable.

Watercolors: Daniel Smith Extra Fine Watercolors

Brush: Arteza Water Brush in Medium

Journal: Stillman & Birn Beta Softbound A5 (5.5″x8.5″) 270gsm 25 sheets/50 pages

Fall Leaves Pictures (to go with the prompt)

I thought I would share a few pictures to go along with the previous prompt blog post from a few days ago.

Hubby was getting ready to mow our lawn and I had to quickly get outside and grab a few leaves off the ground.

Use the following photos as a reference. Pick and choose the leaves you want to sketch.

I placed this trio together to show as an arrangement example.

So many leaves to choose from. Lovely colors!

Here’s a quick watercolor sketch I created in my art journal. Notice I kept my sketch simple for now. I’m learning to sketch loosely and not get caught up in the details.

I hope to spend a few minutes this weekend with my fountain pens and inks and see if I can recreate a few pen & ink sketches of my leaves. Stay tuned!

Watercolor: Daniel Smith Extra Fine Watercolors

Journal: Stillman & Birn Beta Softbound A5

Fall Leaves – Prompt

Edit 11/05: I added a picture of my watercolor leaf sketch to be used as an example/reference.

I sat outside with my art journal and sketched a few leaves that I found in our yard. I thought this would make a lovely sketching prompt for the next few days or week.

If you haven’t sketched a leaf before, look around outside and find one or two leaves that have a simple shape. Identify the basic shape(s) of the leaf and sketch the outline. Next, sketch in the veins of the leaf. Don’t forget to add any cast shadows you see under the leaf.

Here’s a quick watercolor sketch of my leaf.

Besides the typical fall colors you see in the leaves try using a unique inky color or even use your favorite ink colors. How about a teal leaf? Or a pinky rose leaf? Or a multi-color leaf?

Challenge: to help get into the daily sketching mindset, find a different leaf each day and sketch it.

Have fun!

My Small Palette

So far, you have seen my medium size metal palette container that I’ve been using for the last few weeks. I spent some quality time with this palette and enjoyed carrying it around with me. I did find my “Meedan” metal container to be a bit limiting as I could not comfortably add additional paint pans to the middle row. My picture shows two pans wedged in there, but it’s just sitting on the edge between my other pans. The metal brackets were too close and as a result my pans would not “fit” in the middle.

While I like this medium size container palette, I mostly use it on my studio desk and also to store all of my pans filled with colors. Makes it easier to go to one container and pull out the colors I need to use.

For a more portable and smaller urban sketching metal container, I came across this lovely container from Looneng. I selected to have eight (8) empty full pans included with my container. I did not have any empty full pans in my art stash and I know this will come in handy later.

This metal container met all my requirements for a portable watercolor palette. First, there is three mixing wells on the left side cover. Other brands have two large wells. On the right side flap, there are six small mixing wells.

Here’s a major requirement for me, having the ability to place six (6) additional paint pans in the middle row. You’ll notice the empty paint pans are turned in portrait mode. That’s a total of 18 pans that can be stored in this container.

I created a custom swatch card that fits in my container. Here I have my three primary warm colors on the left side and my three primary cool colors on the right side.

This week, I had lunch at a local sushi restaurant. My watercolor sketch is mostly from memory and just playing around with mixing colors. This sketch shows my first layer of colors. A work in progress.

I’m also using an Arteza water brush that works brilliantly with my watercolor paint pans. You can see my brush tip has darkened with use. This is normal. I use my Pentel water brushes for my pen & ink artwork. I have a future blog post I am working on explaining the difference/feel of these two water brush brands. Stay tuned!

Paint: Daniel Smith Extra Fine Watercolors

Metal Paint Palette: Looneng Empty Watercolor Palette. Select to include 8 empty full pans or 14 empty half pans.

Paint Pans: Meeden clear half pans

Swatch card: Arches Cold Press 140lb/300gsm paper cut down to size

Water brush: Arteza Water Brush Pen (assorted tips) in Medium

Journal: Stillman & Birn Beta Softcover A5 (5.5″x8.5″) 270gsm 25 sheets/50 pages