Benu Euphorias and My Pen and Ink Sketches

Here’s my tropical trio: Bora Bora, Tropical Voyage, and Big Wave

Some of you might remember I received my first Benu as a Christmas gift from my Hubby. I fell in love with the beautiful colors of my Bora Bora. The turquoise tropical blue color with silver and gold shimmering particles reminded me of the Caribbean. The medium nib writes smooth and wet and handles shimmering inks beautifully.

Edit: Here’s a tidbit of information. I was doing some research on Benu pens and found that the cap threads are square. So, naturally I unscrewed the cap from my Benu and took out my trusty loupe to see the threads on the body of the pen. Yes! I can see the squared off threads which would normally be rounded in most fountain pens. This square thread form shape has the lowest friction and it is hard to fabricate in a pen design. It’s also the most efficient thread form to screw a cap on.

Besides using my Benu for writing, I also enjoy using it as a tool to sketch with in my pen and ink wash artwork. That says a lot about this pen. I know I mentioned this before, but I could write for hours with this pen. Yes, it fits in my hand and has a nice long grip/section. It’s lightweight and sometimes I felt like I was holding a pencil. I naturally gravitated towards using it to sketch with.

My first Benu: Bora Bora

I sketched my first Benu using my fountain pen inks and a bit of iridescent watercolor to bring out the sparkles in my pen.

I was keeping an eye out for another Benu called Tropical Voyage and eventually added that one to my collection. Can you see a theme developing? There’s actually two themes: tropical pen names and the lovely shades of blue.

My second Benu: Tropical Voyage
My pen and ink version of my pen.
Here are the physical pens I used for my Tropical Voyage sketch.

In my art journal I now have a page devoted to my Benu artwork. I originally had planned to sketch my Everyday Writers or EDWs on this page, but my Euphorias were so colorful and beautiful it was inevitable to have a page dedicated to them.

As I was typing up a draft of this blog post, I received my third Euphoria. I was torn between the Big Wave and the glittering Vodka on the Rocks. I wanted to keep with my tropical theme. After much thought, I decided the Vodka was a bit over the top with all that glitter and too sparkly for me. Can you believe that? Too sparkly for me? Hahaha!

So here’s my Big Wave and all it’s beautiful shimmering tiny particles. It reminds me of a frothy shimmering surf. Be sure the click the arrows in the picture to see the slideshow.

Naturally, I had to do a quick sketch of my pen. I decided to do a test sketch to see how the ink colors and iridescent watercolors play together. I wanted to make sure I could capture the glittering frothy surf.

My quick practice pen and ink wash test sketch.

Here’s my writing samples from my Euphorias. All three are filled with shimmering inks.

My trio and writing samples and some gorgeous shimmering inks!

Here’s what the page from my art journal looks like:

My completed sketch of my Benu trios.

Here’s another picture to show off the glittering sparkles:

Sparkles!

My process of integrating my fountain pen inks and iridescent watercolor paints has greatly improved since my first Benu pen sketch. I do the initial sketch with my inks and let them dry completely. I add the iridescent color(s) and gently apply the sparkling wash over the areas. I try not to disturb the paper too much, otherwise I will lift the ink and move it around on the paper and get a mix of unwanted colors.

My palette of Daniel Smith Iridescent watercolors. This covers just about all the shimmering colors I need.

Bora Bora Sketch:

Pens used: Conklin Endura Abalone with JoWo Omniflex nib. Platinum Prefounte 05 Medium nib. TWSBI GOs with Stub 1.1 nibs

Inks used: Diamine Enchanted Ocean and Tropical Glow. Robert Oster Carbon Fire, Heart of Gold, and Thunderstorm.

Watercolor used: Daniel Smith Iridescent Pearl White and Aztec Gold

Tropical Voyage Sketch:

Pens used: Benu Euphorias Bora Bora and Tropical Voyage with Medium nibs. Conklin Duragraph Matte Black with Rainbow Trim Goulet Exclusive LE (JoWo Omniflex nib). Platinum Prefounte 05 Medium nib. TWSBI GOs with Stub 1.1 nibs

Inks used: Diamine Arabian Nights, Golden Ivy, and Tropical Glow. Robert Oster Sydney Lavender, Blue Moon, and Thunderstorm.

Big Wave Sketch:

Pens used: Benu Euphoria Big Wave with Medium nib. TWSBI GOs with Stub 1.1 nibs

Inks used: Diamine Starlit Sea. JHerbin Bleu de Minuit. Robert Oster Blue River, Carbon Fire, and Thunderstorm.

Watercolor: Daniel Smith Iridescent Pearl White and Pearl Shimmer

Journal: Stillman and Birn Zeta

A Vibrant Floral Pen and Ink Wash

My Floral & Vase pen and ink wash sketch

I used to be a wedding photographer many years ago. While I enjoyed the creative aspects and challenges, I did not enjoy having additional roles as hostess, seamstress, and assistant. I was hired to be a photographer. Not a last minute seamstress or a get things done at last minute assistant. Yes, I no longer photograph weddings.

When I grabbed a picture from my “to sketch” pile of photographs it conjured up memories of when I took that particular picture. This sketch I did last night brought back memories as a wedding photographer. It was a simple vase full of colorful flowers.

For this floral sketch, I used a lot of ink colors. I had pulled out 10 fountains pens with various ink colors and used all the colors I selected.

My Benu Euphoria in Tropical Voyage and TWSBI GOs.

My favorite brands of ink for sketching is currently: Jacques Herbin, Diamine, and Robert Oster. Especially the shimmering inks from JHerbin & Diamine. I mentioned that wet inks are great for ink and water washes as the “lines” I lay down blend nicely with my watercolor paper.

Close up picture showing some shimmers

Late last year, Robert Oster Sydney Lavender was a late addition to my ink collection. It blends beautifully with Diamine Arabian Nights (shimmer) ink.

A close up of my beautiful Benu pen. Look at all the sparkles in the flowers.

I’ve been enjoying my Benu Euphoria pens. Besides writing in my journals, I love using them for my artwork. The medium nibs lay down a nice amount of ink. Plus the pens are gorgeous to look at.

Pens: Benu Euphoria Tropical Voyage with Medium nib. Platinum Prefounte with (05) Medium nib. TWSBI GOs with Stub 1.1 nibs

Inks: Diamine Arabian Nights. Jacques Herbin Cornaline d’Egypte and Vert Atlantide. Robert Oster Sedona Red, Charred Hickory, Sydney Lavender, Melon Tea, Thunderstorm, Heart of Gold, and Saguaro Green.

Journal: Stillman & Birn Beta (cold press)

Shimmering Ink Month and My EDWs

Two weeks ago, I had cleaned all of my Everyday Writer (EDW) fountain pens. It didn’t take long before I started to fill them again with different inks. This time it was mostly with shimmering inks.

The first (left) and last two pens (right) are filled with normal inks. The rest have shimmering inks.

Notice in the picture, I have eight EDW pens inked at one time. This is a personal restriction I have placed upon myself. Not to go overboard and have 30 EDW pens inked at one time. I used to do that when I first started out in this crazy rabbit hole. The thought of cleaning 30 pens was overwhelming. It took me awhile to clean 30 pens and at the same time I kept filling my pens with ink. The 30 pens would drop down to 20 and then back up to 30 again.

Last year I set a goal for myself to create good habits. One of them was to only have 10 EDW pens inked at one time. This of course did not include my pens that I use for my artwork. Change is good, right? So far, it looks like it’s working!

Documenting my EDW for future reference. Check out the shimmers!

For those of you following my RO Rose Gold Antiqua shimmering ink adventures, I have paired that ink with my TWSBI Diamond 580 RGII pen. For the second time, this ink has clogged my pen on Day #2. If you remember, my first pen that I paired with this ink clogged as well on Day #2. That was with the Platinum Procyon with a medium nib.

I’m now beyond Day #2 and my TWSBI and Rose Gold Antiqua ink are playing nicely together.

My TWSBI filled with Rose Gold Antiqua

Love my shimmers!

If you’ve noticed, I am no longer calling my currently inked pens EDCs or Everyday Carry. They are now my Everyday Writer or EDW pens.

Looks like I need to create a writing sample with all my currently inked pens I use strictly for my artwork. I better get to it!

Paper used: Rhodia #16 Paper Pad Blank. GLP Creations Journal with Tomoe River Paper Lined.

Happy New Year!

I thought I would start the new year by spending my day sketching. I picked up one of my currently inked pens and had a “just do it” moment. I started out with a rough sketch using my pencil for an outline and using a pen with my carbon ink to add in some depth and permanent lines.

My carbon ink is water resistant and works well when I apply my water washes

A few weeks ago, I cleaned out all my TWSBI GOs that I had filled with ink back in July. Now, I’m slowly pulling out different ink colors to use for the winter months and filling my TWSBIs again. I now have a mix of Robert Oster and Diamine inks to use.

Here’s my sketch from this morning.

I had most of the ink colors I wanted to use, but I was missing a sparkling silver ink. (Thanks to my fellow fountain pen ink friends, I now have some good recommendations). I had a light bulb moment and pulled out my watercolor palette of metallic paints. I dabbled some silver and gold paints to my sketch.

My porcelain mixing palette.

I love using my porcelain dish to mix my watercolors. This is actually an appetizer dish that came packaged as a set of 4 plates. I found this at my local home discount store. It’s small enough that I can put one in my backpack, keep one on my desk, and the others in my art tote. I prefer to use porcelain as I do not have to do any priming to the surface. Plastic palettes require some priming to the surface.

Close up showing the subtle gold and silver paints over the ink colors.

For the next few weeks I will be busy creating some artwork, taking some fun online courses (technology and music), getting reacquainted with my embroidery machine and learning a new embroidery software. So much to do. A great way to start 2021!

Supplies Used:

Pens – TWSBI GOs with Stub 1.1

Inks – Diamine Enchanted Ocean and Tropical Glow. Robert Oster Carbon Fire, Heart of Gold, and Thunderstorm

Paints – Daniel Smith Luminescent Watercolors

Brushes – Cheap Joes Travel size

Accessories – Metal Pocket Palette, Pentel Water Brush, blue shop towel, and Porcelain dish

Journal – Stillman & Birn Zeta

Tips:

Plastic palettes have a surface that allows watercolors to “run off” in different areas. To prime the surface, I use a bit of Soft Scrub on a damp paper towel and rub the surface of the palette. I then rinse the palette with water to remove the cleaner. I only need to do this once. This process “roughens” the surface so the paint/water sticks to the areas where I am mixing the paints.

I have found porcelain plates/palettes are perfect for mixing watercolors. No need to prime the surface. I like the smaller plates that have a narrow sides. This allows me to carry my palette around without spilling the paint over the sides. Porcelain plates are heavy and less prone to tipping over or accidental movements.

Besides Robert Oster inks, I do enjoy using Diamine inks for sketching and water washes. I’m finding the Diamine inks are lovely saturated inks including their shimmering inks.

My First Benu Fountain Pen

I found Benu and Galen Leather under our tree and in person!

Just wanted to say that I have an awesome Hubby. He supports me in all the hobbies I have under my belt. Whether it’s my left brain for building home computers (years ago) and enjoying new gadgets or my right brain that sews masks (currently), puts vinyl designs on coffee cups and water jugs, creates little watercolor paintings for gifts, and “dabbles” in pen and ink. Did you get all that? He supports me and is my cheerleader.

Naturally, he had asked me “what do you want for Christmas”? Only this time, it was a bit earlier than usual to ask. I have to mention. Here and right now. My man does not like to shop. In the stores. When he needs work clothes (works at a nursery/garden center), we go out one day for a few hours and pick out some rugged pants and all weather boots. Try them on. We are done. For the year.

I knew he would need some help and we had plenty of time. I mentioned to him about a Bora Bora pen. I mentioned Galen Leather and I helped him out by placing the orders.

It’s one thing to see pictures of pens and desk accessories and then to know they are in boxes hidden away for several weeks. Hahaha!

Which brings me to the above picture. I did not realize I would be getting a pad of Tomoe River Paper to match my new pen! How cool is that?! Oh yeah, more pictures of the pen…please. Here it is! My Benu Euphoria in Bora Bora!

My first Benu pen. Sitting on the Galen mahogany pen rest.
I think we need a closer look at the colors.

I took the cap off the pen and grabbed my loupe. To check the nib and tines. Yes. I always do that to a new pen. Looked perfect. I did a few scribbles and I could tell the nib would be smooth. I went ahead and grabbed my Col-o-ring ink swatch cards to see which Robert Oster ink would become one with my new pen. Fire and Ice!

I dipped my pen into the bottle and filled the included converter up with ink. Screwed the body into the pen went to add an entry in my Ink Journal and got nothing. On paper. I tried a few scribbles. Nothing. What?!

I grabbed my loupe and checked the tines. I could see “daylight” between the tines. Ummm…that would be good to see when there is no ink in the pen. Not in this case. I just filled this pen and there should be ink in between the tines to suggest flow.

I did notice at the tip of the nib I could not see “daylight”. No space. At all.

A light bulb popped into my head. I went looking for a brass shim that I purchased last year from Goulet. I never had to use it until now. The brass shim is an extremely thin sheet of brass. It’s used to file away metal.

I stuck a small corner of the brass shim in between the tines and gently pulled it towards the tip and then away from the nib. Tried to write a few more squiggles on paper and nothing. I placed the corner of the shim again in between the tines and this time I gently moved the shim up and down towards the tip and moved the shim up and down on the tip once and then away from the nib. That worked brilliantly! I double checked the nib with my loupe and sure enough the space between the tines had ink. I grabbed my Ink Journal and made an entry.

You can see the brass shim on the lower left. Take a look at the upper corner of the shim and you can see marks from where the shim was in contact with my pen’s tines/tip. It really does work!

I was able to write with my new pen and oh it was a joy to see the ink flowing onto my paper. Check out my writing sample.

All I can say is Wow! Another EDC for me! Extremely smooth writing experience.

I think we need a closer look at this beauty.

Love the silver and gold shimmery effect with the turquoise background.

I’m impressed with this Benu pen. It’s lightweight. Comfortable in my hand. Well balanced as I write with it. I’m getting used to not posting my pens. This model can be posted, it just lengthens the pen a bit. I do not notice any imbalance when posted.

This pen is well made. It comes with a converter and a long international ink cartridge. That’s a huge plus for me as I prefer to use long cartridges (when I can) and its huge ink capacity.

The nib. My pen has a Medium nib. A Schmidt nib. It is smooooooth! Hardly any feedback. Unbelievable pen. It’s now my second fave pen. Right behind my Estie OS Sparkle Montana Sapphire. Yeah, I know. Wow!

Tip:

Using a brass shim. I would use the shim only when needed. It removes metal in a fine manner. That’s why I used it gently. Remember a little bit at a time. To give you an idea, I had no reason to use one until now.